Elodie Hache studied singing with Alexandra Papadjiakou. She was
a finalist of the Montserrat Caballé Competition (2011), the Viñas Competition
in Barcelona (2013) and an award-winner of such competitions as Alcamo
and Vivonne.
She spent two seasons at the Atelier Lyrique of the Paris National
Opera where she sang such parts as Arminda from
La Finta Giardiniera, Clarice from Il Mondo
della Luna, Donna Elvira from Don Giovanni,
The Female Chorus from The Rape of Lucretia, extracts
from Phèdre in Rameau’s Hippolyte et Aricie,
and she took part in many concerts (Louvre Auditorium, Amphithéâtre
Bastille, Palais Garnier).
At the Paris Opera, she was invited back to sing Sandmännchen
from Hänsel & Gretel, La Grande Sacerdotessa
from Aida, Ines from Il Trovatore and took
part int he production of Les Huguenots. She also was the understudy
for the role of Chimène from Massenet's Le Cid.
A regular guest at the Opéra de Saint-Etienne, she sang
Fiordiligi
from Cosí fan tutte, Vitellia from La Clemenza di Tito
(also in Mulhouse), Salomé from Hérodiade,
Blanche de la Force from Dialogues des Carmélites
(also in Caen), Anna from Nabucco and
La Baronne de Gondremarck from La Vie Parisienne.
Her repertoire includes such parts as the title-role of
Armide
by Lully (Innsbruck), Florise from La Coquette
Trompée by Dauvergne (Nice), Diane and
Iphigénie from Iphigénie en Tauride (Angers),
Ortlinde from Die Walküre (Rennes),
Liú from Turandot (Rennes),
Elena
from Mefistofele by Boito (Krakow),
Micaëla
from Carmen (Chartres), her debut as
Violetta
from La Traviata during the summer of 2021 (Linières Festival)
and her debut in the title-role of Norma at the
Immling
Festival during summer 2022.
In the concert field, she sang the Verdi Requiem in Saint-Etienne,
Rossini’s Stabat Mater in Chartres, Dvorak’s
Te Deum and D-Mass in Marseille, Harawi at the Messiaen Festival and
in a staged version in Limoges, the title-role in Haendel's
Athalia
with the Ensemble Diderot in Herblay, Les Chansons Madécasses
by Ravel with instrumentalists from the orchestra of the Paris Opera,
a Verdi-gala with the Orchestre de la Nouvelle Europe, a series with
the Limoges Opera Orchestra, a 'Rameau/Gluck/Leclair' program with the
Normandy Orchestra. She sang a program "Rossini in Paris" (Angers and
Nantes) and took part in the series Ça va mieux en le chantant in the
operas in Angers, Nantes and Rennes.
